Paloma Checa-Gismero



art historian and critic



Publications


Home
Projects


Book-length
2016 (translation and foreword) Lucy R. Lippard, I See/You Mean (Consonni: Bilbao, 2016) >
2011 (Co-authored with Carlos Fernandez Pello) Miradas en el museo. Guide of the permanent collection. Thyssen-Bornemisza Museum, Madrid, Spain

Chapters
2017 “Crítica de arte basado en la colaboración en comunidad. Notas metodológicas”, in Blasco, Selina, Lila Insúa, eds. Programa sin créditos (Madrid: Comunidad de Madrid, 2017)
2015 “Momentos de autodefinición”. Catalog of Los Sujetos. Spanish Pavillion, 2015 Venice Biennale >
2013 “El I Encuentro Nacional de Arte de Vanguardia: una experiencia de arte como investigación” in Raquel Caerols (ed) La praxis del artista en el proceso creativo. Creación artística versus investigación en las artes. (Universidad Nebrija: Madrid, 2013) >

Journal articles
2017 “Realism in the work of Maria Thereza Alves”, in Afterall journal, Fall 2017 >
2017 “Global contemporary art tourism: engaging with Cuban authenticity through the Bienal de La Habana”, in
Tourism and Development journal, Fall 2017 >
2017 Interview
with Jorge Fernández Torres, in FIELD Journal for Socially Engaged Art Criticism, 6 (Winter 2017) >
2013 “Memory clash. On The Act of Killing”, in Revisiones journal, 3
2012 “Repetition and distance in ASCO fotonovelas”, in
Revisiones journal, 2

Art criticism and essays
2017Mujeres radicales latinoamericanas en Los Ángeles”, in Campo de relámpagos, December 2, 2017 >
2017 “Yo veo / tú significas. La escitura femenina de Lucy R. Lippard,” in CONCRETA en línea >
2017 “PUNK. Sus rastros en el arte contemporáneo”, in Campo de relámpagos, January 15, 2017 >
2016 “Contemporary art as resource: Curating a public archive. An interview with Sol Henaro”, in A-Desk >
2016 “Confabulaciones soterradas. Hoy también fue un día soleado,” in Campo de relámpagos, October 2, 2016 >
2016 “Review: Cultural Anthropophagy. The 24 Bienal de Sao Paulo 1998”, in A-Desk >
2016 “Venice, late August 2015” in Museum Futures (Pratt Institute: New York City, 2016)
2016 “Workshops. Before the gallery”, in A-Desk >
2016 “A note on the contemporary canon: Public Fiction’s show at MOCA LA”, in
Los Angeles Review of Books, June 17 >
2016 “Laugh-in: Art, Comedy, Performance”, in
caareviews, January 7, 2016 >
2015 “Reinforcing the community. Supercommunity and practices of reading around an art biennial”, in A-Desk >
2015 “Travel notes: about the 12 Bienal de La Habana”, in A-Desk >
2015 “On The Return of a Lake”, in FIELD Journal for Socially Engaged Art Criticism, 1 (Spring 2015) >
2015 “The formalism of Lizzie Fitch & Ryan Trecartin”, in A-Desk >
2014 “De vigilancia, mercenarios y performatividad” at online platform for art criticism ARCO(e)ditorial
2014 “Made in L.. Hammer Museum, Los Angeles”, in A-Desk >
2014 “Ordenar
la crítica. Take it or leave it,” in A-Desk >
2013 “Snow White as study case” online platform for art criticism ARCO(e)ditorial







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